Riding The Flood From Dandelion Charm

ONLYROCKRADIO.COM
Riding The Flood is a new five-track EP from Newhaven-based duo Dandelion Charm. John
and Clare Fowler combine prog, folk and rock influences into a luxurious blend of intricate
harmonies, soaring melodies, superb musicianship and heartfelt lyrics. Imagine Fleetwood
Mac meets Opeth and CSN meets Yes.
Very much a personal as well as a creative partnership, Dandelion Charm have been
memorably described as ‘like Fleetwood Mac without the drama’. As one reviewer has
noted, however, all the drama is to be found in the songs themselves.
Clare Fowler: “The themes we deal with in our songs are not frivolous ones. They are all
about aspects of real life, things that we’ve seen or been part of. Fear and self-doubt, optimism
and determination, family, relationships and addiction are some of the emotions and situations
we explore on Riding The Flood.”

The EP is released on 11th February 2018 and will be formally launched with a special gig on
that day. Dandelion Charm will be performing songs from the EP with a full band at the
Brunswick, Hove’s premier music and arts venue.
With a background working in a commercial studio, John brings over twenty years of songwriting
and production experience to Dandelion Charm. Clare, meanwhile, is a long-time
visual artist and performer and her love of storytelling manifests itself in her heartfelt lyrics
and emotive delivery. There are three key elements to Dandelion Charm, however: John,
Clare and ‘Olah’. The latter being John’s custom-built jumbo twelve-string guitar which is
central to both the songwriting process and the duo’s live performances.
John Fowler: “We crowd-funded for Olah and I ended up with this amazing beautiful-looking
instrument. With Dandelion Charm it’s the first time I’ve made music where I’m not trying to
please anyone but it’s hugely rewarding seeing others who love what we’re about.”
What people are saying about Dandelion Charm:
"Dandelion Charm have the songs and talent to appeal to not only prog and folk fans, but
anyone who enjoys strong songwriting with blissful vocals and melodies." - Jason Ritchie (Get
Ready To Rock)
“...the fullness of the music, the beautiful harmonies, the sheer musicianship that one moment
floats out of the car hi-fi then suddenly becomes a blast of power” - FATEA
“Dandelion Charm...clearly destined for greatness” - Chris Giles (Folk Is Not A Rude Word)
“Packed with beautiful harmonies and emotional, heartfelt lyrics. Like Fleetwood Mac, they play,
sing and write music with classic, soaring pop melodies that will also appeal to the serious
muso.” - ROSS SIMPSON (Director – First Act Workshops)
“Dandelion Charm are a gentle force to be reckoned with. Clare Fowler’s English Rose
sensibilities are perfectly offset by musical and life partner John’s sophisticated songwriting” -
Sean Ben Parker (Blasting News)
“Bloody brilliant night at The Old Oak…Dandelion Charm - just, WOW!” - Jimbo Tipler (Folk
at The Old Oak)
Track By Track

Here, Dandelion Charm guide us through each of the five tracks on Riding The Flood:
September: September is a double edged sword, the gateway to Autumn signalling the end
of the Summer but also a time of new starts and resolutions after the hedonism of holiday.
It encompasses feelings of fear and dread at the prospect of a return to work, school,
reality but also optimism and renewed vitality for the future. The song September has
opposing connotations for John and Clare and they really like this, they love the way that
songs they have written are interpreted and owned by the listener in relation to their
individual experience.
Riding the Flood: This was written in response to a poem that their daughter wrote at age
16. She was travelling alone to London on a train for a week, and wrote her observations
down about her experience and fellow travellers. There are threads of fear and self doubt
interlaced with an overriding courage and determination. An internal dialogue runs alongside
parental advice and a longing for the comfort of childhood innocence. Percussion creates
atmosphere by hinting at the sound of a train passing over tracks.
The Spark: This is a song that deals with the struggle out of addiction, themes of self
delusion and loathing juxtaposed with themes of hope and release. The mournful vocals
building into a passionate outro that mimics the jumble of contrasting emotions associated
with recovery.
The Great Believer: This song tells a story about coming to terms with disappointment. It
looks back on the cultish abuse of youthful and unquestioning passion. It is set in a bleak
landscape which is a metaphor for the feeling of detachment to reality that comes with the
realisation that you have been used. It is crushingly lonely and yet there is release, and hope
in time.
Wraith: Is an epic journey. It was written about an incident with a patient that John cared
for when he worked in a medium secure Psychiatric Forensic Unit. The song is written from
the perspective of the carer who is a witness to the intense and relentless fall out of child
abuse. Mental anguish, depression and self-harm ravage the protagonist while the only
easement is the repeated promise of safety through incarceration and medication.
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