Monday, November 19, 2018

Kammi

Kammii is a brand new artist with huge amounts of experience ranging from being in the studio with alonestar (ed sheerans family) to playing beautiful days festival and many others with the band darkmatter (supported by BBC introducing)
Kammii is was also involved with the brands cassidy guitars, junglist network and many more...
this is the debut track "Pick and Choose, Abuse it" from the EP "Bedtime Stories"
South coast based artist Kammii has proven time after time that he can win over any crowd with his heart felt approach to pop.
After his first experience playing Glastonbury at a young age of 16 Kammii has continued to grow and develop as an artist, playing in many bands across London and the south coast of England including performances with Balcony TV and Agony sessions.

Kammii got there first break when they had the opportunity to perform at The Great Escape in Brighton and have gone on to support Republica and Mark Morris (The Bluestones) at the Loud in London festival.

Johnnie Squizzercrow #music, #promotion, #tiorr1, #onlyrockradio, #tiorrplaylist,


The Johnnie Squizzercrow Experiment are historically somewhat akin to Fleetwood Mac. Not at all in the musical sense, but with a core membership of Bass and Drums as the mainstay of the band. They are now, after 6 years of existence, in their 6th incarnation; having been through several singers and guitarists who normally last on average around 18 months.

Currently consisting of Johnnie Squizzercrow on Bass, Lynn on Drums and D on Guitar, they have auditioned several vocalists, but have so far been unable to find anyone suitable. Not wanting to rest on their laurels, they have kept themselves busy writing dozens of instrumental songs. 16 of which appear on this album. Some of the songs on the album were originally released with vocals, but have now been arranged for their instrumental set. They have now been in their “Instrumental phase” for about a year and already have almost enough songs to record another album, but are still scouting the horizon for any other singer who might have the courage and attitude to join them.


Their music is described as politically-tinged post-punk and reggae, but they have quite a unique sound that makes them stand out among the kind of bands they are generally put on the bill with. As an instrumental band, their punk attitude to life is currently somewhat subdued, but at least they can now play some afternoon festivals without outraging the parents of young kids!

Wannacries

On November 2nd Wannacries will release their new single Instafamous on all major platforms. It is bluesy rock track with a strong melody and their trademark guitar sound. It was recorded together with three other songs from February to April 2018. It is the last of the four tracks to be released.
Wannacries is a hardrock band based in Stockholm, Sweden. It was formed by two IT guys who, one day in 2017, decided to start a band together. They had both been playing music in different shapes and forms for 20+ years. Daniel handles the bass and sings/screams in the microphone. Per is the guitar hero and studio genius.
The name started as a joke when they needed a name for the first gig. The ransomware WannaCry was in it’s prime and name stuck so they kept it.
Wannacries are influenced by classic rock acts such as Rolling Stones and Black Sabbath as well as modern bands like Avenged Sevenfold and Stone Sour. Their trademarks are fast and catchy songs with a sharp, modern guitar sound. Since the release of their debut EP the songs have been played on a number of internet radio stations and Spotify playlists.

They released their first EP Deadline King in January 2018. It has two original songs and two covers given the Wannacries treatment. Since then they have released four singles and they have steadily increased their listener base.

Nomera


Biography

Group members:
·         David Hernandez (drums)
·         Aleksey Stepanov  “John Base” (bass)
·         Vicente Roca (guitar)
·         Jose Jurado (guitar)


Release Date: 23/10/2017 (SelfProduced)


Nomera is an instrumental band that came to be in 2017 with the publication of its first work “Holos”, which fuses styles like Post, Progressive, Core, Death,...all of which revolve around Metal as its backbone.
Despite being relatively new, Holos is receiving very positive feedback from the public as well as specialized mediaand has been included in Tops as best album of 2017, even though it was just edited the end of that same year.




Emetalspain.com “Top 10 Best Album 2017”
Rockculture.es “Necessary National EP of 2017”
Larryrunner.com “Stuck in my head thanks to the changes in intensity”
Eloraculodelmetal.com “Very easy to listen to”
Arpha Press.com “Has something that hypnotizes and transports you”

At the moment,  Nomera is working on putting together concert dates to present their work.

Darius 1060

Darius 1061, is from the
Republic of Trinidad and
Tobago :: 10,
61 represents the latitude
and longitude coordinates
for the island of
Trinidad. A Trinbagonian
who is influenced heavily
by Rock n Roll, Soca, and
Calypso of his Caribbean
home.
2008
Independently recorded his
first single, NEWS,
with Jus Now Collaborator
and Producer Keshav
“Lazabeam” Singh.
2013
Off the stage and into the
classroom, he enrolled at
the University of Trinidad
and Tobago, Artist Diploma –Voice Programme and completed the fulltime
programme in June 2016.
2018
Darius 1061, Recording Artist.

Independantly releases his newest Rock Single – Quarter Pass. The
song is arranged for Rock - with confident guitars solos - however its
truly a journey out of Rock into an EDM like synth feel that actual
foreshadows future releases and what to expect from the Caribbean
based artist. The theme captured is love and the undeniable, the type
of love that envelops the heart of young lovers who can’t stay true to
each other, yet can’t move on either. Love’s Quagmire
https://www.darius-music.com/

Friday, November 2, 2018

Iain Mundy


Iain Mundy is a young Scottish singer/songwriter. He was born in Edinburgh and grew up in the Scottish countryside, starting his music career at a young age as a trumpet and cornet player in local brass bands throughout his school years.
He took this a step further, and graduated with a degree in music from the Royal Northern College of Music in Manchester in 2015, where he studied trumpet and composition. After this, however, he decided to go in a different musical direction, and pursue a career performing his own songs.
His début single Don’t Let the Dream Die was released in November 2016 through indie label, Wobbly Music, to help raise money for Scottish Independence.
After moving to Glasgow in April 2017, Iain returned to Wobbly Music to begin work with producer, Lynn Monk, on his first-released EP “The Tide”  for release in July 2018.

The Tide represents Iain’s best work to date. Exemplifying his musical style with catchy melodies, tight harmonies and well-tailored musical arrangments with pop, acoustic rock, and Celtic influences.
     "Mundy’s gentle tones, relatable anecdotes, and varied set-list of indie, pop, and folk blend effortlessly into the ideal relaxed pub soundtrack." Jason Menzies - Holmes Mill, Clitheroe

ARTIST LINKS

Broken Testimony

Band: Broken Testimony
From: Easley, SC
Bryce Chism – Drums
Judge Page – Vocals, Lead Guitar
Justin King – Bass
Nik Delvaux – Rhythm Guitar
Forging an original sound while not directly copying one’s influences is never an
easy feat, but it’s a skill upstate South Carolina’s Broken Testimony have
mastered to a T. Their recipe for supreme sonic success is as follows: Place equal
parts Breaking Benjamin, Tool, Alice in Chains, and Chevelle into a rock-driven
transmogrifier, press blend, and subsequently create new music that is notably
hard-hitting, melodic, and catchy all at once. “We’re trying to mold multiple
different sounds and genres into our music,” explains BT’s lead vocalist and lead
guitarist Judge Page. “We pull together stuff from alternative indie rock to heavy
metal to classic rock, and it all falls in together really well.”
Indeed, Broken Testimony prove they’re more than up to the task with the sound
of their kinetic debut album Holding on to Nothing , which celebrated its release
on June 22, 2018 via Thermal Entertainment. From the unsettling ghostlike vibes
of “Unknown” to the moody slither of “Fade Away” to the ugly metallic screamo
head of “Medusa” to the ultimate uplift and release of the album-capping
“Vitality,” Broken Testimony have staked their claim for being at the forefront of
a new generation that’s leading rock & roll’s ever-evolving melting pot.
“With the music on Nothing , we were able to take our listeners on the journey we
wanted them to take,” believes BT drummer Bryce Chism. “They get to feel
certain ways with certain songs, where it doesn’t have to be just one thing. And
that’s cool, because we want people to feel we can go as soft as we want or as hard
as we want, and still have them like whichever road we go down. And having
those moody interludes between some of the songs gives listeners a break to all
the chaos going on around them. We put them on a rollercoaster of emotion,
which is exactly how we wanted to set that table — and I think we did a
phenomenal job of it.”
Page and Chism found they had an instant connection when they first started
jamming together about three years ago, once they discovered they had mutual
interests while attending the same graphics communications class. “Bryce and I
were jamming on some songs that were actually difficult to play, but we played in
perfect time and never got off-beat,” Page recalls. “It all just flowed so well
together, and we knew right there. You just know when you have that kind of
chemistry with somebody.” Concurs Chism, “We were down in his dad’s
basement, and his mom and dad were watching us. At the end of it, we all looked
at each other and they were like, ‘You guys were on key. You knew each other’s
cues already.’ Judge and I clicked right off the handle, and we just knew it. We
jammed for like three hours, and that’s when we went, ‘Yeah, we just need to start
a band. This is it .’”

And from there, Broken Testimony was truly born. The very band name itself is
one of those uniquely evocative, visceral monikers that can’t help but evoke
multiple interpretations. “The name means a lot of different things to me,” Page
admits. “Some people take it as a religious kind of name, but that’s not what was
intended. I like to let people interpret things as they see them, but I will say a
Broken Testimony is something that gives you a really dark vibe. When you sit
and think on the name, it’s a dark story of life where you’re coming through all
the ups and downs. It signifies hope coming through the dark times. That’s what
it symbolizes to me.”
Chism, who also designed the band’s signature interlocking logo, had a specific
goal in mind once Broken Testimony got down to recording. “I’ve watched a
number of bands I know stick to a certain sound, and what they come up with are
just carbon-copy songs,” he notes. “So I sat down with my guys and said, ‘Look —
I really like where our sound is, but I want us to hit every angle we can. We can
explore different avenues.’ I want someone to pick up this album and go, ‘Yeah —
whatever you guys are doing, I’m onboard. This is worth it. This is a band I need
to invest in.’ If I can get somebody to stop scrolling and look at and listen to what
we’re doing, then I’ve hit my goal at the end of the day.”
Page shares the evidence of the band’s early evolution. “When we first started, we
were going to be a heavier band, more like metalcore,” the vocalist details. “I
grew up with Axl Rose and Sebastian Bach — those are my big vocal influences.
We were going to go for the heavier screaming thing, but we decided we wanted
to do something we thought would have longevity. We wanted to do something
we could be doing 30 years from now. I hope I bring people to the point in a song
where they go, ‘Wow, that hit hard!’ I hope the overall sound of this album brings
some of that out.”
Chism agrees with his songwriting partner. “That’s where I’m glad we were able
to execute it the way we wanted,” the drummer concurs. “We went in the studio
going, ‘We want this record to be big.’ We wanted you to hear every guitar and
every bass line, and have the drums be huge and on top of you. We wanted it to
sound enormous, to where you could hear all these crazy leads that needed to be
big and bold. And it really does sound huge .”
Page hopes to make as many new fans at every Broken Testimony show that he
can. “And for the fans that we do have already, I hope they keep wanting to listen
to us,” he adds. “I try to do my best to correlate emotion into my performance.
What’s my master plan? Man, I just want to help somebody with my music. You
hear these stories about how people connect so well with some songs that help
them through dark times — that’s my biggest dream. I want people to be able to
hear my music, and connect to it. To be able to play my music in front of people
and give them energy and give them hope — that’s what I want the most, and I’m
sure every single one of the guys in the band feels the same way. We’ll do
anything we gotta do to make our dream come true.”
To that end, Chism made sure the overall content of Nothing fired on many
cylinders. “I wanted the album to start out very dark,” he admits. “And the first
interlude sets that mood — the storm is here, and it’s a dark presence. It has all
those crazy emotions. When we get to the end with ‘Vitality,’ to feel the power of
the message Judge put in the lyrics — that’s the song we spent months writing.
Having that as our closer, where the storm has settled down at the end — that
closed the album down really well, and it gives people a real taste of who we are.
Closing with that song is really a beautiful way of wrapping up that journey. I
always wanted us to be careful with how we did that. I wanted us to fill it out, but
also be able to be clean but have a dirty sound too. We just had to set this thing
up right. I wanted us to be smart.”
Smart man, smart band. And without a doubt, based on the myriad of satisfying
sonic evidence found all throughout this most evocative debut album, Broken
Testimony handily demonstrate that you can get something from nothing.
Contact: press@thermalent.com
For interview requests, booking and reviews